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March 4, 2024

Taiwanese Appeal on Funding Changes

Taiwanese filmmakers and producers have issued a statement expressing concerns over recent changes to Taiwan’s co-production funding scheme. The government has suspended its Taiwan International Co-funding Program (TICP) in a move that appears to signal a change in direction towards more mainstream projects. By K Dass.

Taiwan - A group of over 100 Taiwanese filmmakers and producers recently voiced their concerns regarding recent alterations to Taiwan’s co-production funding scheme. They are advocating for greater transparency and dialogue within the local industry.

The Taiwan International Co-funding Program (TICP), initiated by the Taiwan Creative Content Agency (TAICCA) in January 2021, originally provided up to 30% of a production budget (with a cap of $300,000) for international features, TV series, animation, and documentaries. However, after three years of operation, the program is undergoing a strategic revision. Key changes:

Shift in Focus: The TICP is now reorienting its support toward more mainstream projects. This shift aims to attract larger-scale investment opportunities and foster collaboration between Taiwanese teams and the international community.

Increased Investment: Productions with Taiwanese elements will see their investment rise from 30% to up to 49% of the production budget. Additionally, there is no longer a limit on the amount of investment in a single case for works with a higher concentration of Taiwanese elements.

Diverse Titles: The program is expanding its scope to include commercial films, documentaries, and other types of film and television works with market potential. It’s no longer limited to small and medium-sized non-commercial films.

Notably, the TICP has previously supported acclaimed films such as Tiger Stripes (which won top honours at Cannes’ Critics Week) and The Settlers (which received the Fipresci prize at Cannes and was Chile’s Oscar submission). Other titles backed by the program include Tomorrow Is a Long Time, For My Country, and The Last Queen.

While these changes aim to enhance Taiwan’s international co-production landscape, the filmmakers’ call for transparency and dialogue underscores the importance of involving industry stakeholders in shaping these funding initiatives.

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