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VIRAL EXCLUSIVE

Feb. 1, 2024

What Scott Stuber’s Departure Means to Netflix?

Netflix’s head of films previously unveiled the day before the Academy Award nominations that he would be leaving the streaming platform to start a new media company. We look into how his exit could potentially affect the business and future of Netflix. By: Dylan Low

News of his departure was not a complete surprise, with rumours of his exit in the open for some time and sources that the executive has been discussing with investors regarding a solo venture.

 

With one of the most influential jobs in the filming space now vacant, this will likely interest multiple people who are bolstering their resumes, such as former Warner Bros. chairman Toby Emmerich, Paramount’s ex-motion picture group president Emma Watts and executive-turned-producer Dan Lin.

 

It remains uncertain how Stuber’s farewell will impact Netflix’s film strategy, that recently transitioned away from being a volume business. It directly opposes Amazon, which has shown high activity with support from film chief Courtenay Valenti and the head of marketing Sue Kroll. Apple has also been making moves in the film and entertainment industry, which has helped to bring in top talent such as Martin Scorsese (director of Killers of the Flower Moon) and Ridley Scott (filmmaker of Napoleon).

 

Stuber first joined Netflix in 2017, by besting several executives for the position. It came with profitable benefits (multi-billion-dollar content spend) and obstacles. Theatres were initially sceptical about partnering with Netflix and many leading directors featuring their films in cinemas for extended runs, which competes against Netflix’s core business model.

 

With Stuber at the helm, he made significant contributions by raising the company’s original film output and forging crucial partnerships with notable Oscar winners Alfonso Cuarón, Spike Lee and Scorsese.

He was of the perspective to produce films of quality over quantity. “We’re not trying to hit a set number of film releases,” he mentioned in an interview. “It’s about ‘Let’s make what we believe in.’ And let’s actually put forth a slate that we can stand behind.” He also called for the company to be clearer with viewership data and provide more films with an exclusive theatrical release, which Netflix’s co-CEO Ted Sarandos initially opposed. 

 

Sources that knew of his departure claimed there was no ownership feud, as Stuber looks to continue working together with Sarandos and chief content officer Bela Bajaria on upcoming future projects. For his new company, Stuber had already planned capital and will pay attention in creating bigger, more populist fare similar to the movies he produced like blockbuster R-rated comedy Ted and Melissa McCarthy’s Identity Thief. He looks to work alongside Netflix, only now he will have to ask for his replacement’s approval instead of decision-making for their plans. 

 

The successor to Stuber will be tasked to determine the role of Netflix in a fast-paced film business. There still remain unanswered questions, such as whether Netflix will attempt to achieve the quality aspired by Stuber but had previously failed, or choose to leave the prestige pictures to Apple and Amazon by focusing on filmmaking for the largest common denominator.

 

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