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VIRAL EXCLUSIVE

July 22, 2024

Snow in Midsummer: A Bold Exploration of Malaysia’s Tragic Past

It’s surprising as well as encouraging to learn that Malaysia’s censorship board cleared the sensitive uprising drama for the world to watch. Besides, its also the first local film about Kuala Lumpur’s tragic race riots of May 1969 to secure a release. By: K Dass.

US - Malaysian director Chong Keat Aun’s historical drama, Snow in Midsummer, defied the odds by securing a local release despite its sensitive subject matter. Set against the backdrop of the 1969 race riots in Kuala Lumpur, the film tells the story of a Chinese family caught up in the violence that erupted on May 13, 1969. Hundreds lost their lives during those tumultuous days.

The film then fast-forwards to the present day, focusing on two survivors who meet at a mass grave of the riot victims. Remarkably, Snow in Midsummer directly addresses the riots and their aftermath without depicting violence on screen. Producer Wong Kew Soon acknowledges the film’s boldness, stating, “The May 13 incident is one of the two most sensitive subject matters for Malaysia – the other is communism.”

Initially, the film’s investors believed it wouldn’t stand a chance for a local release. However, a turning point came during the Singapore International Film Festival when FINAS deputy chairman Noor Azam bin Shairi and his wife expressed confidence in the film’s importance. They encouraged the filmmakers to submit it to the Film Censorship Board of Malaysia (LPF). The result? Snow in Midsummer became the first film directly addressing the 1969 riots to pass Malaysian censors.

Internationally acclaimed, the film received a special mention at Venice’s Giornate Degli Autori section and garnered nine nominations at Taiwan’s Golden Horse Awards. It was also named the best film in the young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Now, as it heads to its North American premiere at the New York Asian Film Festival, Snow in Midsummer stands as a testament to the power of storytelling and historical reflection.

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