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VIRAL EXCLUSIVE

Oct. 11, 2024

Rust World Premiere at Camerimage Honors

World premiere takes place almost three years after the death on set of its cinematographer.

The indie Western film Rust is set to make its world premiere at the Camerimage International Film Festival in Poland, nearly three years after the tragic on-set death of its cinematographer, Halyna Hutchins. The festival, which celebrates achievements in cinematography, will take place from November 16 to 23, 2024.

Hutchins, who was 42 at the time of her death, was fatally shot on October 21, 2021, when a prop gun held by actor Alec Baldwin discharged during a rehearsal on the set in New Mexico. The incident also injured the film’s director, Joel Souza. Following the tragedy, the production faced intense media scrutiny, legal battles, and public outcry. Despite these challenges, the filmmakers decided to complete the project, with Bianca Cline stepping in as the new cinematographer to honour Hutchins’ vision.

Camerimage’s decision to premiere Rust is both a tribute to Hutchins’ legacy and a platform for discussing critical issues in the film industry. The festival will host a panel discussion featuring Souza, Cline, and Stephen Lighthill, Hutchins’ mentor from the American Film Institute. The panel will delve into the events surrounding the film’s production, the continuation of Hutchins’ artistic vision, and broader topics such as the role of women in cinematography and on-set safety.

Festival director Marek Zydowicz emphasized Hutchins’ connection to Camerimage, noting that she had expressed a desire for “Rust” to be showcased at the festival during its early production stages1. The premiere aims to honour her memory and highlight her contributions to the art of filmmaking.

While Alec Baldwin, the film’s star and producer, will not attend the premiere, the event is expected to draw significant attention from the film community and the public. The screening of Rust at Camerimage serves as a poignant reminder of Hutchins’ impact on the industry and the ongoing conversation about safety and representation in filmmaking.

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